MARLOES in flags

Yesterday I added this picture to my Welcome page. If you hadn’t realised, those are International Code of Signals letter flags.

I created this design for a postcard; a separate post about that coming to my Cards section soon. It has no meaning as a communication: traditionally flags were flown in four letter vertical groups to convey a huge variety of predetermined signals. Meanwhile here are the meanings of the individual flags – together making a rather inconsistent message…

M MIKE My vessel is stopped and making no way through the water.
A ALFA I have a diver down; keep well clear at slow speed.
R ROMEO (Pre 1969:) The way is off my ship; you may feel your way past me.
L LIMA You should stop your vessel instantly.
O OSCAR Man overboard.
E ECHO I am altering my course to starboard.
S SIERRA I am operating astern propulsion.

Architectural Sketch

…Well, let’s say this is much more like a formal architectural sketch than most of my drawings. Another composition from the imagination, envisaging an important location in the story I am working on (very slowly).

Musselwick Barley

I managed very little painting in 2024: I had so many things on my to-do list. But I was longing to paint; and when in August along came a settled spell of warm weather with clear skies, I seized the opportunity to go and work on the spot without needing umpteen layers and a deal of weight to hold the easel down! As for what subject to choose – I walk this path most days, so I already knew how this view should be tackled.

Playing at the surf’s edge

Today (April 26th) started wet and miserable; by mid afternoon the sky had cleared and the sun was steadily strengthening. Having done two hours of pressure washing, I thought I deserved a break and headed for Marloes Sands. With the tide well in, I climbed over the brow and took the zigzag path down to the beach at Matthew Slade.
I expected the sea to be too rough for going in, but two intrepid young ladies went and played at the surf’s edge, happily letting the stronger waves crash onto them.
I started my sketch of Milly and Ella using sepia Conte and then added pencil and coloured pencil – not a usual technique for me, but I thought I’d have a go.
To help judge the effectiveness of this approach, I have included a monochrome rendering of the colour scan, to give an idea of how the sketch might have turned out had I kept to just pencil.
Following my subjects’ example, I then had a quick session in the sea – like swimming in a washing machine, most exhilarating!