The Red Costume

Yesterday’s drizzly grey sky cleared in time for the afternoon low tide. You don’t spurn such opportunities – so, to Musselwick Sands for a swim. As I was walking back along the beach, from a large family group having great fun in the waves came one girl, who sat herself at the sea’s edge…
I don’t normally try doing fast sketches in full colour, but luckily I had the wherewithal: such a wonderful contrast, with the bay’s blues and greens so strong thanks to the air having been recently rain-washed.
She wasn’t there long, looking out to sea; you can see from the marks how I hurried. I think the cropped composition is best – although with that red catching the eye so, one might manage a painting with the figure small in a great expanse of beach.
The title works nicely in Welsh: Gwisg Goch

Conté, coloured pencil, & pencil
A4 paper

The Red Costume
The Red Costume (zoom)

Seaweed for the earlies

Today’s sketch – from the imagination, of course.
Very late, I know, but I have just finished planting my potatoes and I usually gather seaweed to lay between the rows: technically it may not be much of a manure, but it definitely enhances the flavour of potatoes; tomatoes, too.
Having been looking at some art books recently, I had the idea of portraying a typical coastal village children’s task in previous generations: seaweed was free, so it must be fetched for the kitchen garden in large quantities.
Quite a few artists of the later Victorian/Edwardian era well portrayed busy children: one feels for those girls in their heavy long dresses, probably the same patched handmedown worn every day except perhaps Sundays! As for the mothers, many of whom felt obliged to put their daughters in starched white pinafores, regardless of how grubby their work…
The Newlyn artists Stanhope Forbes and Harold Harvey typically showed girls charged with looking after their younger siblings or doing lighter tasks such as gathering apples; but George Clausen’s subjects raked hay, picked stones, and joined in with other tough jobs like gleaning. And the photographer Frank Meadow Sutcliffe certainly showed the hard side of life around Whitby from an early age.

The lower sketch, done yesterday, hadn’t worked so well because the poses weren’t right; today’s effort, though completed faster, works better I think because I carefully worked out the “framing” of the figures before clothing them. Plus, those forward leans give a better impression of effort.
Maybe a painting one day…?

Seaweed for the earlies 2
Seaweed for the earlies 1